Alanna Wolff and Jeff Byrd are two attorneys who specialize in representing the supernatural in courts of law. The last time I read a collection and reviewed it, I was disappointed. This time I was much more pleased. Lash (who I met once and he seemed very nice) does not rely as much on the puns and focuses more on telling clever and enjoyable (if not scream with laughter) stories revolving around parodies of fantasy and horror genres. In this collection he has a boy wizard with tourets, the Muse of potboilers who is a plagiarist, a misogynistic monster (who isn’t at all Dave Sim), a talking ape, and a great Steven King bit. Regretfully, the same concern with the flat characters is still here. While Lash tried to have romances for the characters to flesh them out, it is too little to really matter, and while you can like the parodies, this comic isn’t going to be great until he can make the characters, not just the cases, come to life.
Category Archive: Comic Review
Sep 24 2014
I’ve never seen such a unique style of art as Lat has for his memoir about growing up Malay with his Chinese best friend (perhaps because the art is so stylized that it would appear racists if drawn by your average white guy lah). In any event, I thought the story and art were great, putting plenty of smiles on my face lah. Little short and even littler (?!) background–if you do not know of the ethnic make-up of Malaysia you might lose something in your reading–yet lots of enjoyment lah (ok, I have no idea if I’m using that expression correctly).
Sep 23 2014
I wanted to like this comic more than I did, and I should have. Silly drawings of nerdy guys talking about role playing games and their geek pop culture world, what’s not to love?! Yet I just didn’t find it quite silly or funny enough, sorry. It is the first collection of a series that has been going on for a while, so there is a good chance I’ll grab another collection and find that one to be better than this and thus like it even more. I’ll keep you posted.
Sep 22 2014
Sep 21 2014
Despite hearing rumors about how great this is, I was rather disappointed. It is suppose to be a fairy tale where time has stopped and kids and robots live separately but equally so to speak, but everything changes when the Dapper Men return. While Janet Lee certainly does some interesting work with the art, you are much better off looking at the illustrations and making up your own story rather than read the boring, oh so clever (but meaningless) writing.
Sep 20 2014
For the record, I was a huge fan of Bendis back before most of you ever heard of him, and would push his indy crime comics on people all the time. So it would seem that his return to the genre would be a bonus, and it might be if I were 12, and knew nothing about cops, the Occupy movement, or the world in general. This comic is a revenge fantasy staring a very hot punk chick who decided that she is going to change the entire world by killing corrupt cops, which, naturally sparks a revolution of people on her side. Listen, cops have always treated me like garbage (at best) and it would be great if people would organize themselves to fight for their rights, but considering how many people I know that vote against their own interests–if they bother to vote at all–, and the lazy “what can you do” attitude that permeates society, and the complete dismissal of anything realistic in terms of what people and cops have the resources to do as displayed in this comic, I just can’t express how pointless and sloppy this work is. And all that is without discussing Bendis’ penchant for having characters talk directly to the reader and, well, just talk and talk and talk, in general.
Sep 19 2014
I thought the art was great and loved the idea that the art goes to gray scale once a blackout occurs due to a storm half way through the comic. The trouble is I can’t really tell you what the story is about. Yes, there are several teenage characters, many who have nice quirkiness to them, that are all dealing with their own concerns during a summer break (Will, the female protagonist, has an actual “real” problems), yet there is no true plot that drives the story–sorry, unrequited love and the existence of carnival don’t count, and while dealing with loss could, it isn’t made into a plot. Neither does the fear of shadows, nor the fact that the characters have their own talents count as plot, although these things could also be turned into story lines. It is this lack of story that drove me away from truly enjoying the work, and while the author is attempting to turn the work into a stage piece I think she is going to have zero luck without a major rewrite.
Sep 17 2014
Better known at Deadwood Dick, the life of this slave turned cowboy is amazing by any standard. The fact that there were any, never mind many, black cowboys, might be a shock to some and that is understandable, and thus I wished more was done to stress the fact that Nat Love was a black man and show how it mattered/didn’t matter in his life. The art, by Randy Duburke, bothered me in that respect because, while elegant, makes ethnicity difficult to discern when I think it is an important factor. It is hard to put so much story in such a short comic book, but this was made somewhat harder as I didn’t feel the McKissacks truly understand the medium or use it to its fullest (e.g., too much narration). Wish there was a movie/documentary on this man.
Sep 16 2014
Sassy blond Barney, and also sassy blond Hooker, try to rescue their sassy but not blond friend Rosa from a Voodoo cult. It is a cute story with key elements of romance, humor, adventure, a big dog, etc. with nice cartoony art by Joelle Jones, but nothing particularly ground breaking. Perhaps the authors should stick to the novel forms of this series. Good for younger readers but at $18 for a short hardcover?!
Sep 15 2014
I think that for its time this was pretty amazing. Looking back, perhaps not so much so. John Byrne’s art is great, even if my tastes have changed, giving details to bodies that set a new standard for comic art. The story itself is about a group of mutant superheroes and villains that struggle against each other and to protect/conquer the world. Specifically it deals with the increasing power of Jean Grey/Marvel Girl/Phoenix/Dark Phoenix until the point that she is a threat to all life and how those who love her will fight to protect her despite what she might do. Interestingly, Dark Phoenix takes up very little of this collection; it is the events that help to initiate the dark power in Jean that are truly important. As such I really enjoyed the manipulation that the hypnotist, Mastermind, pulled and feel that such indirect actions are something more comics should consider. As for the whole “how do we stop Dark Phoenix?!” I didn’t really care that much about it. It happened too fast and such high stakes as the sudden destruction of our galaxy doesn’t seem as real to me as the subtle stab of a knife in the gut. I’d like to think that Claremont was pressured into short changing a story he wished to expand upon, if only I didn’t read a decade worth of his comics and realized he was just kind of making things up as he went (akin to modern failures like Lost and Pretty little Liars among so many other sopa opera stories).
Sep 14 2014
Decker presents some of the best illustrated stories I’ve ever seen, about a girl caught up in the horrors of the black death of mid-14th century Europe. The problem is that most young readers will not be able to follow and/or understand what is being presented and drawn. Decker is an amazing artist, and I’ve rarely seen such lovingly cross hatching details, but as an author he isn’t anything special and this could have been incredible with the help of a professional writer.
Sep 11 2014
Apparently, I never did a review of the first of Lutes’ incredible tales of pre-WWII Germany, so you are going to hear about both Books One and Two now. Originally I was going to say that a problem with the second volume was that it had been so long since the first I had really lost most memory of the various characters and spent half of the second book relearning about many of them (as well as being introduced to new ones (yes, I could have reread the first book but it was elsewhere when I grabbed this from the library)). I would also say that I didn’t have this disconnect with the characters the first time around, but then again I was learning about them from scratch. Still, all that really doesn’t matter in the end. In fact, none of the characters, for all their complexities, depth, and uniqueness, matter at all. The reason is that what you are reading, in all it’s painstakingly specific art and historical care, is about the dead. No, I don’t simply mean characters who are fictional anyway, but about a country and a time period. The end is “spoiled” because we know what is to come: this cosmopolitain Berlin of a crippled Germany struggling between the forces of communists and fascists in an attempt to maintain one of the most liberal democracies the world has ever known, is doomed to be engulfed in flames and never seen again–at least never like this. And that’s what makes this an amazing read. Lutes tells the tale of a dead man, and we watch, helplessly and pathetically, as it marches off blindly into oblivion, wondering if there was anything anyone could have done to save this starving, confused, wonderfully diverse land, filled with history, culture, and dreams, before it nearly destroyed the entire world, succeeding only is annihilating itself.
Sep 09 2014
Britten is a private eye–sorry, “researcher,” who is seeped in ennui due to his tendency for telling lovers bad news. Together with his, er, unusual partner, Brulightly, he gets involved in a case wherein a women questions the suicide of her fiancé. This was a very interesting mystery story, with dreary art that fit well with the tale. I do protest that there was not enough information to actually allow a reader to deduce the truth on their own, but it was still a good job and wish there were more comics like this. Worth being depressed over.
Sep 08 2014
Wow, was I disappointed. Sure, this is part two of a collection, but there is nothing I “missed” here. Gorr The God Butcher wants to butcher gods and builds a bomb to kill them all. Why? Because boo-hoo Gorr didn’t have a very happy life so he has to kill all gods everywhere forever. But look! just like in the last episode of Star Trek: The Next Generation, three versions of Thor come together from different timelines to stop him! Boring, and nothing of interest when it comes to characterization, dialogue, action, etc.
Sep 07 2014
Delisle’s work has been hit and miss with me. I greatly appreciate that he is sharing his time in other countries and has an honest perspective, unfortunately, by his own admission, China–or rather the Shenzhen business zone–is very sterile and boring. With little to do and even less culture the routine is interesting only to a point. I do like his (what appears to my untrained eyes to be) pencil art and am more than willing to see what other trips he shares with us.
Sep 06 2014
I wasn’t impressed by this crime drama that ties Collins’ earlier, more famous work into the Vietnam era. While the idea of crime evolving–for lack of a better word–from thugs with tommy guns to things much more devious is intriguing, I just didn’t think the story was well told, as it was too over the top and the art, by Terry Beatty, was too stifled.
Sep 05 2014
While only Jurgens gets title credit as a writer, I condemn all three of these writers for this pile of crap. Just another typical superhero story where the main character realizes “Wow, I have power, I’ll become a total dictator and ‘save’ the world from itself.” I think I may have read a part two of this but maybe that was just another lame story. Perhaps it is a rite of passage to put powerful superheroes through such nonsense or maybe the rite of passage is more of a hazing for writers. Nothing original here.
Sep 04 2014
This is a cute comic strip about a little girl who becomes the superhero Jetcat and fights annoying and silly “villains” as well as having to deal with such problems as a step-brother and missing the bus to school. I don’t have much to say about it; it is fine, just nothing that I’m particularly interested in or that stood out to me. Sorry.
Sep 03 2014
Part of a series of books on deep topics that the publisher tries to make easy by calling it “introduction” and adding graphics. Often these titles are less informative or interesting than a regular text, but this one isn’t too bad with clear topic headings and not too much text. Zizek is not always the easiest philosopher to grasp (like all those other “easy” ones) and mainly draws from Lacan (who is next to impossible to understand), so it is nice to have some basics to help one understand. Didn’t care for the art; I’m not sure what the style was trying to add.
Sep 02 2014
I’ve been meaning to read this series for over a year now (and by the time this review gets posted, that was probably another year ago). It tells stories about MI-6 the British version (sort of) of the CIA, and various characters within the service, their missions and personal lives/problems. Yeah, sounds good, and lots of people love it, but I’m not one of them. If it is put down in front of me, I’ll read it, but I just don’t care very much about the stories, especially considering how real life spy drama is so much more, well, dramatic (if at a much slower pace). It’s not over the top, which is good, unlike 24 or MI-5, shows I’ve reviewed here, but there isn’t enough to grip me.